Menu Open City, also called Rome, Open City, Italian Roma città aperta, Italian Neorealist film, released in 1945, that portrayed life in Nazi-occupied Rome during World War II. Rome Open City (1945) Watch It: Google Play, iTunes, Prime Video. Open City, also called Rome, Open City, Italian Roma città aperta, Italian Neorealist film, released in 1945, that portrayed life in Nazi-occupied Rome during World War II. The film brought international attention to Italian cinema and is considered a quintessential example of neorealism in film, so much so that together with Paisà and Germania anno zeroit is called Rossellini's "Neorealist Trilogy". Directed by Roberto Rossellini in a documentary style that was innovative for the time, the movie brought international attention to the Neorealist movement and became one of its defining works, influencing numerous later filmmakers. Open City or Rome, Open City (Italian: Roma città aperta) is a 1945 Italian neorealist drama film directed by Roberto Rossellini. Rome, Open City received a mediocre reception from Italian audiences when it was first released when Italian people were said to want escapism after the war. "All roads lead to Rome Open City,” Jean-Luc Godard once said, playing on the old Italian proverb—and meaning, we can assume, that when thinking about modern cinema, one always has to come to terms with Roberto Rossellini’s seminal film. He used the city’s still rubble-strewn streets and war-damaged buildings to great effect, and he maintained realism with his cast, many of whom were not actors; real German POWs portrayed enemy soldiers. Nonton Rome, Open City (1945). In depicting the manner in which ordinary human beings, including even young children, are willing to take a stand and fight back against Evil incarnate under the worst circumstances and horrendous odds, places this towering film in a … Title Screen : Movie Title/Year and Scene Descriptions: Screenshots: Rome, Open City (1945, It.) Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Omissions? Manfredi (Marcello Pagliero), a Communist Resistance leader, and Don Pietro (Aldo Fabrizi), a Partisan priest, embody the noble and collective struggle against a totalitarian regime. In it, members of the Italian Resistance movement spend there days in hiding, relaying tactical information and material support to those fighting the Nazi forces on the frontline. Resistance leader Luigi Ferrari is pursued by Major Fritz Bergmann, a German intelligence officer who wants the name of others in the underground movement. Under the oppressors' heavy thumb, the underground leader of the Resistance, Giorgio Manfredi, after nearly getting caught, will seek refuge in the house of his friend, Francesco. Rome, Open City ( Italian : Roma città aperta) is a 1945 Italian drama film, directed by Roberto Rossellini. Pina (played by Anna Magnani) is a widowed pregnant working-class mother of two children; her fiancé, Francesco (Francesco Grandjacquet), works for a communist newspaper and aids the resistance; Marina (Maria Michi) is a nightclub singer whose desire for love and normality leads to collaboration with the enemy; Marina’s former boyfriend, Giorgio Manfredi, who is also known as Luigi Ferraris (Marcello Pagliero), is a resistance leader hunted by the Nazis; and Don Pietro Pellegrini (Aldo Fabrizi) is a lovable priest who musters unexpected bravery and courage to aid the resistance. OPEN CITY's unvarnished semidocumentary style gave it a cinema vérité look long before that term was even coined. The film depicts a wide cross section of Romans who, despite their obvious social, economic, and religious differences, are united in their suffering during the German occupation. "ROME OPEN CITY" is truly one of the most powerful movies ever made. The leads - Anna Magnani, Aldo Fabrizi and Harry Feist were professionals, but not in the sort of roles for which they were famous. The story behind the making of Rossellini’s third directorial venture, Rome, Open City (‘Roma citta aperta’,1945) is widely familiar among cinephiles: that it was shot in the final months of World War II using film stock acquired through the black market; it led to the inception of Italian neorealism and subsequently the postwar renaissance of European cinema; acclaimed auteur Frederico Fellini worked … Open City, along with Paisan (1946) and Germany Year Zero (1947), formed Rossellini’s “war trilogy.”. Film Rome, Open City Part of Modern Cinema: Jia Zhangke Phyllis Wattis Theater $10 Members. Film ini memiliki citra berdampak kuat dengan itu campuran fiksi dan realitas yang diperkuat Italia Neo-realisme dan industri film. Through the 1950s, Rossellini experimented with different forms, offering an ascetic religious film (The Flowers of St. Francis), a documentary about India (India), and a wartime melodrama that was one of his biggest hits (Il Generale Della Rovere). It even shaped its look, made using what scraps of film stock the director could find. The dreaded SS eventually suspect that Francesco and Pina are hiding Giorgio, and round up everyone in the building except their target, who once again gives his pursuers the slip. Because of the recentness of the events depicted on the screen—Open City was shot just months after the Allies liberated Rome—Rossellini considered calling the film A Story of Yesterday. Echoes of Rossellini’s approach to filmmaking are still felt in movements around the world, from China to Iran to South America to the United States. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. Corrections? Don Pietro’s relationship with Manfredi, and Pina’s pending (Roman Catholic) marriage to a communist, reflect the united front that developed among those in the resistance movement in their struggle against the Nazis. "Rome Open City" is the first of Roberto Rossellini's War Trilogy and is a stunning and realistic look at wartime Italy through the eyes of those that lived it. Francesco Grandjacquet is an actor, known for Rome, Open City (1945), The Assassin (1961) and Inviati speciali (1943). The screenplay, which was cowritten by Federico Fellini, earned an Academy Award nomination. About selecting his favorites from the collection, world-class cinematographer John Bailey (Mishima: A Life in Four Chapters) says, “One of the greatest challenges in trying to compile a list like this is to separate the objectively ‘great’ fil. ROME OPEN CITY opened in the fall of 1945, just on the heels of the very war it was depicting. Updates? Let us know if you have suggestions to improve this article (requires login). Marking a watershed moment in Italian cinema, this galvanic work garnered awards around the globe and left the beginnings of a new film movement in its wake. Life in Nazi-occupied Rome is the setting and subject of this movie by Roberto Rossellini. In this interview from our box-set edition of Roberto Rossellini’s War Trilogy, Paolo and Vittorio Taviani recount their experience discovering these masterful depictions of World War II. Difilmkan secara rahasia selama pendudukan Nazi Italia, film ini menunjukkan gambaran realistis dari perlawanan bawah tanah di Italia pada tahun 1945. Rome: Open City, a 1945 film directed by Roberto Rosselini, was made just two months after the end of the Nazi occupation of Rome. Our editors will review what you’ve submitted and determine whether to revise the article. https://www.britannica.com/topic/Open-City. Author/co-author of numerous books about the cinema and is regarded as one of the foremost James Bond scholars. The film won several awards at various film festivals, including the most prestigious Cannes' Grand Prize, and was also … ROME, OPEN CITY is a landmark in film history. Please refer to the appropriate style manual or other sources if you have any questions. Roberto Rossellini, (born May 8, 1906, Rome—died June 3, 1977, Rome), one of the most widely known post-World War II motion-picture directors of Italy.His films Roma città aperta (1945; Open City) and Paisà (1946; Paisan) focussed international attention on the Italian Neorealist movement in films.. Directed by Roberto Rossellini in a documentary style that was innovative for the time, the movie brought international attention to the Neorealist movement and became one of its defining works, influencing numerous later filmmakers. Described by Martin Scorsese as “the most precious moment of film history,” Rome Open City (Roma città aperta) is filmmaker Roberto Rossellini’s revelation—a harrowing drama about the Nazi occupation of Rome and the brave few who struggled against it. Please select which sections you would like to print: While every effort has been made to follow citation style rules, there may be some discrepancies. In the final phase of his career, after calling a news conference and announcing, “Cinema is dead,” Rossellini turned to historical television dramas about major subjects and figures (Louis XIV, Blaise Pascal, Descartes, the Medicis), made with a rational, almost scientific approach. The picture features Aldo Fabrizi, Anna Magnani and Marcello Pagliero, and is set in Rome during the Nazi occupation in 1944. However, it became more popular as the film's reputation grew in other countries. After making films under Mussolini’s fascist regime early in his career, Rossellini broke out with Rome Open City, a shattering and vivid chronicle of the Nazi occupation of Italy’s capital, followed by Paisan and Germany Year Zero, which round out his “war trilogy.” Rossellini’s adulterous affair with Ingrid Bergman led to the biggest controversy of his career (they were both condemned by the United States Senate) but also to another trilogy—Stromboli, Europa ’51, and Voyage to Italy, all starring Bergman and all about spiritual crises; they were dismissed at the time of their release but are widely praised now. Indeed…, With his mix of documentary-like immediacy and profound moral inquiry, Roberto Rossellini became a pioneer of Italian neorealism, a movement that transformed the way filmmakers captured the fabric of everyday life and and grappled with the most urgen…, Almost from the moment she made her breakthrough performance in Roberto Rossellini’s Rome Open City, Anna Magnani became an icon of Italian cinema. Filmed in secrecy during the Nazi occupation of Italy, the film shows a realistic portrayal of the underground resistance in Italy in 1945. The film has strong impacting imagery with its mix of fiction and reality that strengthened Italian … OPEN CITY begins with SS troops entering an apartment building to arrest one Giorgio Manfredi, a Resistance fighter hiding inside. Rome, Open City was an early entry in what would become known as the Italian Neorealist movement, a style of filmmaking born more out of necessity than art. The film is based on events that took place in Rome in 1944, during the Nazi occupation. The picture features Aldo Fabrizi, Anna Magnani and Marcello Pagliero, and is set in Rome during the Nazi occupation in 1944. A founder of Italian neorealism, Roberto Rossellini brought to filmmaking a documentary-like authenticity and a philosophical stringency. Rome, Open City (Italian: Roma città aperta) is a 1945 Italian neorealist drama film directed by Roberto Rossellini.In its English subtitled release it was named Open City. Rome, Open City is motivated by the conflict between Nazism and Fascism on the one hand, and the Italian Partisan Resistance on the other. This was Roberto Rossellini’s revelation, a harrowing drama about the Nazi occupation of Rome and the brave few who struggled against it. It’s fair to say modern cinema wouldn’t exist as we know it without him. Rome, Open City (1945) is considered by many the first, and an essential, film in the post-WWII genre known as Italian neorealism. Rome, Open City [DVD]  This film was made undercover in Rome, in the last days of the Second World War, mainly with unknown actors. Francesco Grandjacquet, Actor: Roma città aperta. The son of a successful sculptor and architect, he travelled extensively throughout Europe. Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Città Aperta, 1945). By filming among the fresh ruins in Rome, and showing the daily struggle of life, Rossellini did not allow his audience to keep an emotional distance from the film.